Thursday, 15 September 2016
Working on choreography for Alvin Ailey
Thursday, 9 June 2016
Dance Appreciation essay on Rooster and Dance Tek Warriors
In this body of work, I will be critically analysing the works
of Rooster and Dance Tek Warriors while discussing the similarities and
differences between the two pieces. Also, while discussing the contrasts of
dance I wish to explore the starting point of both pieces and they’re
inspiration.
Rooster was a piece that was choreographed by Christopher
Bruce. This piece was originally created
for “ballet du grand Theatre” on the 10th October 1991, performed by
London Contemporary Dance Company. This piece was then performed by Rambert
Dance Company in 1994. There are 10 dancers of which are 5 men and 5 women. The
beginning of the piece was known to be inspired by amnesty international. The
costume designer was Marian Bruce, who created the costumes to reflect the era
1960’s. The costumes of the male performers consisted of wearing velvet jackets
of different colours which included maroon, brown, black, green, and blue. Also
different colour shirts& ties accompanied with black trousers made to look
like black jeans and black shoes. In comparison to, their female counterparts
who wore simple dresses which were red/black accompanied with red neck scarfs
for the painted black section. The set design of rooster is on an undecorated
stage which is contained in a black box. The piece is performed on an empty
stage which is a key feature of the dance; this allows the dancers space to
perform. Bruce is typically known for
using themes parallel to current political issues, this is shown through his
choice of musical accompaniment which feature songs recorded by the rolling
stones. The choreographic intentions and dance styles behind Rooster were
contemporary with elements of jazz with jerky sharp movements. He has created
abstract pieces but even these pieces have a strong undercurrent of emotions.
Bruce also explores throughout the concept of what gender
roles played during the early 1900’s. For instance, Rooster is based on the
relationship between men and women. Men had more control and ascendency over
women, they take on women as a piece of possession. For example, this was shown
in the section of Ruby Tuesday of when she starts off with a fluent slow dance
with hand gestures and arm movements. Which contains, of them touching her to
show innocence and youth. Which turns into a group as four men enter behind
her. Which demonstrates on how men are wanting to control her by taking her way
by doing lifts and counter balances towards the end of the stage. Which
reflects on Christopher Bruce’s whole idea on how that there are voiced
concerns of society through gender.
Whereas, the other dance piece Dance Tek Warriors was
choreographed by Michael Joseph, Doug Elkins and Charmaines Seet. This was
danced by Union Dance Company of who presented the piece on the 12th
February 1998 at the Queen Elizabeth Hall. The number of dancers that were
performing in the dance piece was six dancers-3 men and 3 women. The starting
point and stimulus of this dance is from the game tekkon. When, the company
were on tour they were playing that game of which that they based the dance on
it to tell a narrative. The costume designer is Ursula Bombshell with the men
wearing white trousers and neutral colour t-shirt such as yellow and brown (loose
fitted). Similarly, women had to neutral t-shirt (but more of tight fitted) as,
there was a choreographer for the different pieces of the dance. Of who had the
choreographic style of features of showing this dance through chapters in a
narrative tone? Which explored having three separate choreographers which could
tell a different aspect of the story of the dance. Such as the variations of
themes which include spiritual warriors, tekkon game and freedom/hope. The
staging of the dance as there are boundaries that are shown by small circles of
light (especially at the beginning) or three identical pools on a diagonal
across the stage. The composition of the dance is being displayed out through
solo, duets, trios and quartets. For example, one couple performs a duet on one
podium, while other individual dancers take one half of the duet and perform it
on separate podiums. So, that the duet is simultaneously seen broken down as
separate unison phrases.
For example, the lighting style of dance Tek warriors is
that it has patterns. As, the light is being used to create lines and boxes
from small too big. With the colours blue and gold used to create this
contrasting effect of when the dancers use different dynamics and levels. For
instance, this is shown when the orange light is on the dancer during her solo.
The lighting was used to create this calm effect towards her dance, as there
were fluent and slow movement quality and dynamic. Similarly, Rooster lighting
is quite simplistic throughout the whole piece. For example, in the section of
sympathy for the devil there is more complex lighting, as there are different
cues which matches the dancer’s entrances/exits. Both pieces use lighting to
highlight the dances and serve a purpose towards the dance. Lighting is one of
the key aspects of the dance of which that it is used to capture the audience’s
attention, it also reflects on the whole concept and the dynamic of the dance
that it has to offer.
Dance tek warriors explore the concept of showing the
journey to becoming a warrior. The important aspects and themes of dance tek
warriors involve spiritual warriors, freedom/hope and the PlayStation game
tekken. For example, in section 1 “Mass Equilibrium in the sea of Tranquillity”
in the contact trio there was a use of different levels to create contact For
example, fast low level turns with windmill arms and fall backwards into arms
and rebound. Equally, they are transferring weight towards each other. Which
also symbolises on how in tekken that the combatants constantly battle against
running out of energy and power. Correspondingly, in rooster important aspects
and themes involves political issues and the concerns of society involving
gender roles. For example, in the section Ruby Tuesday it reconstructs the
theme of how men are more dominant. This because it starts off as a solo dance
of the female using repeated hand gestures in a flowing slow dynamic. Then,
three men come and carry the women around using contact to display on how she
is represented as a possession towards men.
In dance tek warriors the selected choices of accompaniment
was electronic music. With a collective music of different tracks. Including
various DJs and artists such as David Byrne, DJ shadows, Arrested Development
and etc. For example, in the section Bright Flames in Dark Waters uses eclectic
mix of music from different times and cultures. To create a dynamic field of
how the music linked to theme. Whereas, in Rooster the certain choices of
accompaniment were influenced by the 60’s involving songs recorded from the
rolling stones. For example, in the section “little red rooster” the
accompaniment choices highlight the choreographic intention. Of how there is a
dreadful attitude towards women which was seen as nature to men. As, there is
also a comparison between the strutting cockerel gestures and the man dressed
up to go out. To highlight how men are seen as practical.
In dance tek warriors, the costume choices desired by the
costume designer Ursula Bombshell included loose yoga pants, loose tops with neutral
colours for both pants and bottoms and tight tops for women. For example, all
the dancers do not exactly dress the same as the costume designer was intending
them to be their own spiritual warriors. This displays individuality for each
dancer. To serve a determination of the theme to the dance. However, in Rooster
the costume choices desired by the costume designer Marian Bruce reflect rather
than literally reproduce 1960’s dress. Through the men’s velvet jacket,
colourful shirts and co-ordinated ties. While there is individuality and
variation in the colourful costumes for the men, the women’s are identical.
In conclusion, both Rooster and Dance Tek Warriors explore
the similarities and differences. This essay has established that both pieces
are at different ends of the spectrum. This is shown through costume design,
lighting, theme and set design.
Tuesday, 24 May 2016
Evaluation of Grease Hand Jive
Some of the key elements of my self- application as a dancer. Of which includes having good attendance and punctuality. By having good attendance and punctuality has allowed me to be more disciplined. Also, it has allowed me to have more preparation within rehearsals and run through of the piece.
One of my strengths was accuracy of movement. For example, in the first section of the hand jive I was doing the movements to a fill extent. Also, making sure that the actions done are exactly the same as it was taught. For instance, this was by going over the videos knowing the counts with the movement. Another strength that I have noticed is control. For example, within my duet with Georgia , when we do contact work. Which includes lifts that I have to make sure, I maintain control when lifting her up. The use of me having good strength has helped me a lot, within the lifts/counter tensions. This was through practicing core and strengthening exercises, i.e. push ups and sit ups.
One of my weaknesses within this dance piece was my timing. For example, this was shown in the first half of the dance when I was doing the chopping movement. As, i was slightly out of time from everyone else. For instance, i should be hitting the set beat of the action. Another weakness that I have noticed is confidence. For example, sometimes within the dance that I would act slightly puzzled or confused. As, of this I should know instantly on what movements to do. In addition, knowing what I do is right. For example, one way of how i could work on timing is through listening to the music. Knowing when the beat would come in to hit on certain movement. Such as the chopping movement.
One of my strengths was accuracy of movement. For example, in the first section of the hand jive I was doing the movements to a fill extent. Also, making sure that the actions done are exactly the same as it was taught. For instance, this was by going over the videos knowing the counts with the movement. Another strength that I have noticed is control. For example, within my duet with Georgia , when we do contact work. Which includes lifts that I have to make sure, I maintain control when lifting her up. The use of me having good strength has helped me a lot, within the lifts/counter tensions. This was through practicing core and strengthening exercises, i.e. push ups and sit ups.
One of my weaknesses within this dance piece was my timing. For example, this was shown in the first half of the dance when I was doing the chopping movement. As, i was slightly out of time from everyone else. For instance, i should be hitting the set beat of the action. Another weakness that I have noticed is confidence. For example, sometimes within the dance that I would act slightly puzzled or confused. As, of this I should know instantly on what movements to do. In addition, knowing what I do is right. For example, one way of how i could work on timing is through listening to the music. Knowing when the beat would come in to hit on certain movement. Such as the chopping movement.
Evaluation of Dance tek warriors performance
A part of my application in dance is that I have good attendance and punctuality. For example, I am always on time to lessons. This identifies on my commitment and self discipline within dance. Sometimes, I come early to dance class to practice and rehearse. At the end of each lesson, I film myself to see the improvements. Also, on what I need to work on. Which is an key identification of how I set an good example as an dancer.
One of my strengths was the dynamic quality of each movement. For example, in the robotic section I displayed sharp movement through isolation's. This emphasises on how I have a strong sense of movement quality throughout the dance. The use of me improvising dance when I am at home has helped me with knowing when the music/beat comes in. To move in a certain way when the rhythm of the song changes. Another strength was my flexibility and leg extensions. For example, this was displayed through my duet with rosemary. When we hold our hands to lift our legs high to an great extent. By having balance, when lifting my leg high in the air, has helped me with the position that required flexibility. For example, doing daily stretching at home helped me with my extensions. Furthermore, practicing feet exercises such as demi pointe helped within my feet through extensions.
However, one of my weaknesses included facial and bodily expressions. For example, in the dance piece i was not particularly showing facial features, such as smiling. This was due to how I was mostly spending time on focusing on what to do. In order, to show focus and concentration within the dance. One way of how I could work on facial expressions is by smiling in the mirror. Which I could everyday. Then, after six weeks I could get someone to film me to see if I have improved. Another weakness that i noticed was emphasis. For example, in the last section of dance tek when doing the arm movements. I've noticed that i could of made my arm movements and actions clearer. One way, of how I could work on emphasis is through practicing more core exercises. Which could include push ups and sit ups.
Evaluation of Commercial Dance "Move"
In this body of dance element of move, there was different ways that I was able to show self efficiency. For example, I have good attendance and punctuality throughout all dance classes. By having good attendance and punctuality has allowed me to be more disciplined. As, I would be more focused and concentrated during the dance rehearsals and classes. This enables me to be more prepared for the dance. Which suggests on how that I am committed to the work/task that is given out.
One of my strengths of the piece was the dynamic quality of movement. For example, this was presented when I displayed sharp and jerky actions in the isolations. To furthermore show emphasises of each movement to create a symbolic approach. Of which creates a abstract aspect through the frame of pure movement. Another one of my strengths include dynamic of movement. For example, this is established in the beginning. When, I expressed and executed the way of how that the movement was performed. Through lifting our arms bent in a 90 degree when isolating our hips. The use of core and strengthening exercises has helped with this movement.
However, one of my weaknesses include facial and bodily expressions. For example, this is presented through out how I tend to not be smiling or showing that I am excited throughout. One way, of how I could work on facial expressions is by smiling through the mirror. Which I can practice everyday. Then, film myself doing the dance after rehearsals to see if I am improving. Within my facial and bodily expressions. As, I was mainly focusing on the movement and the timing. Another one of my weaknesses include projection. For example, in the first section of the piece. The use of the sharp actions were not embodied as clear through the movement. As, it needed to be portrayed as strong, sharp and quick. Through the use of the dynamics being displayed. For example, one way of how I could work on my projection is by filming myself doing the dance. To show how I know what I am doing at all times. Also, that I performed the movements with focus and use of facial features. For example, smiling and engaging with the performance.
One of my strengths of the piece was the dynamic quality of movement. For example, this was presented when I displayed sharp and jerky actions in the isolations. To furthermore show emphasises of each movement to create a symbolic approach. Of which creates a abstract aspect through the frame of pure movement. Another one of my strengths include dynamic of movement. For example, this is established in the beginning. When, I expressed and executed the way of how that the movement was performed. Through lifting our arms bent in a 90 degree when isolating our hips. The use of core and strengthening exercises has helped with this movement.
However, one of my weaknesses include facial and bodily expressions. For example, this is presented through out how I tend to not be smiling or showing that I am excited throughout. One way, of how I could work on facial expressions is by smiling through the mirror. Which I can practice everyday. Then, film myself doing the dance after rehearsals to see if I am improving. Within my facial and bodily expressions. As, I was mainly focusing on the movement and the timing. Another one of my weaknesses include projection. For example, in the first section of the piece. The use of the sharp actions were not embodied as clear through the movement. As, it needed to be portrayed as strong, sharp and quick. Through the use of the dynamics being displayed. For example, one way of how I could work on my projection is by filming myself doing the dance. To show how I know what I am doing at all times. Also, that I performed the movements with focus and use of facial features. For example, smiling and engaging with the performance.
Monday, 23 May 2016
Rehearsal process of dance tek warriors
Rehearsals for dance tek warriors
Friday, 20 May 2016
Move it
Grease 50's hand jive
Practicing the spacing and movement of the dance in the theatre. One of the strengths of this dance is that i watch the spacing around me, and an improvement is that i should make sure of what I am doing at all times during the dance piece.
Thursday, 19 May 2016
Dance rehearsals for dance tek warriors
Tuesday, 17 May 2016
Friday, 13 May 2016
Unit 47 jazz dance piece 1
Monday, 9 May 2016
Dance rehearsals
Today in our dance lesson we were going over the whole phrase of each section of the dance work dance tek warriors. For example, we were adding on different directions and pathways in the last section to make it more interesting and dynamic within the dance. Also, we used the different techniques which included canon and unicon within the dance to show how that not everyone has to come on the same counts, which is being used to show that the phrase that we were taught in dance does not have to stay the same throughout the dance. That it can be changed throughout, e.g. taking out movements, repeating the movement from the end to the beginning. Which can show how the dance will become more developed and built up. Furthermore, this would build up the dance more. One element which i know that i have to still work on is my second duet which I do with Rosemary. One thing that we could work on is including more of counter tension or balances within our dance to make it look more compacted and together within the section.
Thursday, 5 May 2016
Dance rehearsals
Today in dance class we were going over all of the sections of dance tek warriors dance work to get the rough idea of how long each of the sections are going to be. For example, me and rosemary were going over our two duets from the first section to the second section of dance tek warriors. By including in our duets counter balances, contrasting levels, different pathways of how the motif is performed and shown. Also, by doing the dance(motif) in different directions but still doing the same motif. In the next dance lesson, we are going to add more on to our duet. As, it is quite a long section of within the dance tek warriors piece and also going to work on the last section of the dance tek warriors of which is to show duets upon fighting and the sharing beliefs of buddhism.
Thursday, 28 April 2016
Dance rehearsals
Friday, 15 April 2016
Practicing dance routine
Thursday, 14 April 2016
Practicing second section of dance tek warriors
Monday, 11 April 2016
Dance class
I have been working on my duet in the dance work dance tek warriors. This is by showing and displaying elements of attack within the warrior that we are characterizing in the dance. One way of showing movements of attack is by showing contrasting movements with using different levels, directions and pathways. To show a corresponding approach towards the other dancer. It is allowing us to show a sense of attack in the dance because we are showing a sense of ourselves protecting our inner self as a warrior.
Monday, 21 March 2016
dance tek warriors duets development
Thursday, 17 March 2016
Dance class
In this weeks dance class we have been exploring different ways of how we could move with our partner through the use of showing mirroring towards each other and by varying the levels and directions. In which we are going towards. This helped me create more contact work and use various of relationships within the dance piece of dance tek warriors. To show and experiment on different elements. Of which can be included in the dance. Also, the duets was a good experience because i was able to work with a partner and we working together to show various types of ways on how we transverse weight to each other.
Tuesday, 15 March 2016
Warriors duets
Thursday, 10 March 2016
Dance tek warriors- self evaluation
Thursday, 3 March 2016
Todays dance lesson
In today's dance lesson i have improved on performance. As, when we were practicing the motif, I was not holding back on my movements and i was performing to the fullest. Even when i was getting movements wrong, I was still continuing through out the dance. Which shows from the last time that i performed the dance, there was improvements not only in how I perform but my technique and fluency as well. For example, when i am doing my motif section, i am going through each of my movements and i am not cutting them(making them shorter). I am actually doing all the movements-which is one of my improvements from the last time that I performed the dance tek warriors section.
Dance tek warriors-improving motif
Thursday, 25 February 2016
Dance tek warriors-developing motif
Wednesday, 24 February 2016
Monday, 22 February 2016
Evaluation of the dance technique assessment
My name is Natasha De-Graft Quansah, and I am a very dedicated
dancer who is committed to coming to my dance lessons on time. I always attend
my dance lesson, dressed in the full correct dance kit of all black dance
clothing and I take a full part in the dance warm up. I always apply the corrections
that the teacher has set me during the dance class and through the dance
rehearsals. One of the things that I had to make sure of during the assessment
is that I applied all the feedback and corrections from the class rehearsals
into the dance assessment.
What went well?
Being consistent with my movements throughout the dance. One way
of showing this is through the use of flexibility, stamina, strength and by
having good accuracy throughout the dance. Another way is showing energy in the
dance exercises, remembering the dance exercises- movement memory, and showing
commitment throughout the dance. An example, of me showing movement memory in
the dance is that I performed every exercise of the dance assessment accurately
and I was focused on myself and not looking at any one around me. This is applying
self-discipline by focusing on what I am doing rather than being distracted by
other dancers around me who were distracted and not focused themselves.
Another strength that I have is flexibility which helps with leg
extensions. For example, in the recovery travelling exercise I showed that I
could extend my legs and arms to a greater extent. Flexibility is a key aspect
of the dance exercises throughout the assessment and the fact that I am
flexible helped significantly For example, I have been doing a lot of
stretching and yoga exercises that have helped me with my leg extensions during
the rehearsals and the performance.
In addition, my main strengths include stamina and strength. I was
able to dance for more than half an hour with energy, drive and passion. My
strength was demonstrated through my stability in the warm up exercises for
example in my roll downs and planks.
What went less well?
Firstly, making the actions stronger-showing strong dynamics. For
example, in the travelling exercise I need to suspend more in the tilts and
lunges. Also, it would help if I executed a deeper plie going lower as I was
not showing enough plie within the dance exercises.
Linked to the first weakness another could be using my torso and
inner core more for example, going into a wide second position or first wide
parallel position. By using more of my torso it will help me to go to a lower
position and it will help me demonstrate more fluency in my movements.
In some of the exercises I need to show even more flexibility for
example, during the floor lifting exercises by making sure that my legs lift higher
and that my feet are pointed properly to the full extent.
Also, making sure that I spot in the dance exercises and that I am
going in the right direction confidently. This is shown in the release
travelling exercise, where I had to spot where I am turning to. Additionally, I
could have improved my swing and suspension using my torso is in the first
exercise which, affected my posture. Moreover, I could improve my posture
even more is by doing a set of core exercises which could help me with my
stomach muscles.
Overall I need more confidence in the dance, knowing and believing
that I can perform the movements that I do at all times.
What I could have done differently?
I could have not worried so much about the exercises before my
dance assessment - have more confidence in myself- believing that I know what I
am doing at all times.
Also, trying to book the
dance studio or a room to do some more practice- so, that I have more of a
confidence that I know all of the dance exercises well.
What I could have also done differently is doing the dance
exercises which would help me perform the dance exercises better with more
focus on my posture, flexibility and jumps in preparation for the future dance
performances.
An example of this, is by using more elevation while doing the
travelling jump exercise, on the jumps. What could helped in my elevation of
the jumps is by having alignment. Especially, in the travelling jump exercise
doing vertical jumping such as leaps like grand jete which help to improve
several different body parts which include (the head, the torso, the pelvis,
the knees, and the feet). Which will help create more height in the jump. Also,
doing more plies would help with the quality of the jumps. One thing that I
need to make sure is that the ankles do not roll in or knock together while I
am doing the jump. For that, I need to make sure that to strengthen the muscles
of the feet (by articulating each action of the foot).
Targets
One of my target is to show more confidence in when I perform.
Apart of showing more confidence in my dance is having self believe and staying
relaxed while performing the dance exercises and allowing my facial expressions
to come out (allowing myself to shine). By allowing myself to stay relaxed I
should practice more yoga and soothing exercises. I also, have a target of
improving dynamics is through self-control of my movements during the dance
exercises.
Another of my targets that I have is to show more facial expressions
through my dance. One way of how to show more facial expressions is by
practicing some yoga and meditation which helps me to relax and stay in
control. Another way of how I can improve my facial expressions is by looking
at the mirror every day and practicing smiling.
My last target is to practice my demi plies in the plie exercise,
which will help me improve my dance technique. One way of how I am going to
improve my dance technique is by learning different styles. For example, I go
to ballet class to help me with my plies.
Tuesday, 2 February 2016
Dance tek warriors style/intention
The dance tek warriors dance incorporates many different sections which involve many different types of styles such as hip hop, contemporary and many forms of martial arts. For example, in the second section of it which was more grounded than the first section of the dance. So, it showed contrasting and different movements. As, an example they use loads of floor work in the section by displaying and using elements of contemporary dance style. It features many types of contact work- not all the contact work that they done involved using lifts. Its more of using leg extensions and there is more travelling that is shown. However, this section also incorporates elements of break dance which is involved in the dance style of streetdance. This section also contrasts musically as it used many different types of music such as funk and African. It also features a lot of repetition of the first section- the glide step leap-repeats motif section. Furthermore, it explores different relationships such as duets and group work.
Friday, 29 January 2016
Dance technique practice for assessment
In today's dance lesson we were practicing the dance exercises that would be included in our assessment which would include the roll down, swing and suspension, the brushes/leg extensions on the floor,in first position to walk into a jump, the clutch session from the let it go dance piece. We were going over the dance exercises in partners and giving each other peer feedback/assessment on what we need to do to improve on before the assessment that we will be assessed on. Giving peer feedback really helped as we had one person specifically to give us feedback as they would find specific areas for us to improve on that we would not have not found on in which we would need to improve on those specific areas which would help us weather it is to extend our legs more through the feet or to show more release within the exercises. For example, this could be shown by going more lower when doing the exercises to show that i have more release and suspension when doing all the dance exercises.
Thursday, 28 January 2016
Action Plan
One of the things that I have done to help my dance technique is by doing more acrobatic exercises which include doing yoga three times a week. Also, anything acrobatic such as going to more dance classes, to improve my flexibility. As, it would help me strengthened my legs more and it would allow me to stretch my legs more further. Which would help me more in my dance routines and choreography because my dance movements would look more better, by showing more of leg extensions and lifting my legs more higher up. Another element of my dance technique which I have done to improve my dance technique is working on my jumps more is my me doing more squats, rises in the legs and calf raises of my legs to help the strengthening of my legs. So, that my legs become more higher and sustained in the air. Furthermore, the last element of my dance technique which I have done to improve is my posture my doing more core exercises such as sit ups, crunches, bicycle crunches to help me improve my stomach muscles which will help me make my back more straighter.
Wednesday, 27 January 2016
Tuesday, 26 January 2016
Dance technique class
In today's dance class we were going over dance technique exercises before our assessment, by checking and making sure that we were improving every time and the movements were becoming more stronger and that we were letting go and releasing more through the arms and legs-flowing around our body. To show more fluency and projection in the dace exercises by making sure that we were confident and able to sustain and be consistent with the dance exercises throughout the dance. Before, the dance assessment my targets for it was to release more and let go. So, in the lesson i was practicing some release dance techniques by doing swings and drops.
Tuesday, 19 January 2016
Thursday, 14 January 2016
Complementary and contrasting shapes
Complementary shapes are shapes that correspond with each other as they look very similar through arm movements, levels, lines of the shape, how the shapes interact with each other by showing the use of contact. An example, of this featured in my work is in my shape when I push my arms out and go into a lunge.
Contrasting shapes are shapes that look different through the arm movements, level change,arm movements and leg movements that show a sense of different movements connecting to each other. An example, of this shown in my work is when i go onto the floor and lift my leg up. This shows a difference of how i am changing levels whilst using different gestures/actions to show a sense of making the shapes different.
Tuesday, 12 January 2016
Monday, 11 January 2016
Learning some of the motif for the dance work Dance tek Warriors
Dance Tek warriors is by Union Dance Company. I think the word spiritual warriors mean is finding freedom within the world. Spiritual warriors can relate to different aspects of religion, such as Buddhism where you can find different ways of how to be searching and finding strength with having the control of the concept of inner peace and determination to strife within a journey to have a hidden meaning of how to go through different stages and paths in order to become a true warrior and showing positivity amongst so many people around you and all over the world. Spiritual warriors can also show how everyone has to face their fears and overcome their weaknesses in order to become more stronger and powerful. Mostly, spiritual warriors is about fighting for what you believe in and never give up on what you believe in no matter how hard it can be. It shows how their is not only inner peace in what you believe in but also with one self.
Tuesday, 5 January 2016
Today's dance technique class
Today is the first session back from after the holidays. I have noticed some improvements from then and before the christmas holidays. One of the strengths are that i'm showing more extension in my legs while performing the dance technique exercises which are being performed throughout the dance class. For example, i am pointing my legs more to show extension and trying to suspense every movements. For the improvements for the next dance session I need to work on my posture more such as making sure that my torso is straight and that i am showing enligment by making sure that when I perform the dance exercises that i'm not kneeling back or going to forward that i am aligned with the centre of my body which would help me in my dance perform the movements more sustainably.
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